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He paused. "See here, Pa," he cried, "I happen to know one er two things about Hinter that I don't like. He's the boss of at least two bad men, an' I guess maybe there's more in the gang, too.",

Billy found Mrs. Keeler peeling onions in the cook-house and after some trouble made her understand what was wanted. While she was shedding her apron and hunting for her hat he went outside. Maurice's school-books and slate lay on the bench beneath the hop vine. Billy grinned as his eyes fell on them. He climbed to the top of the gate-post and searched the surrounding fields for his chum, locating him finally down near the ditch, a lonely and pathetic figure seated on a little knoll, methodically topping mangles with a sickle. His back was toward Billy and it took all the latter's self restraint to refrain from giving the rally call, but he remembered what he had promised Maurice's father. So he slid down from the post and picking up the slate, produced a stub of slate-pencil from a pocket and wrote a message in symbols. Then on the other side of the slate he duplicated the message, adding the necessary key to the code. This was the message that Billy wrote,

"Looks like it. Wonder who it kin be? Maybe somebody lookin' fer us.",

Mr Pledge had eaten his last morsel of cheese and was leaving the table, when his attention was arrested by a knocking on Lucy's door, accompanied by the cries of a female; but what she said he could not hear. So Mr Pledge, taking some steps, stood close to the door.

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Anson looked troubled. "Supposin' I don't know—" he began, but Billy shook his head.,

"She has made no meal, then?",

Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles.,

"I am thankful to hear you speak of dancing. If ever your clothes should become rags and flutter to the measures of your feet, your beauty will still make them a finer garment, at least in my sight, than the apparel of royalty in state. But you shall not want for clothes," he said, speaking in his gentlest voice, which, as he held command over fine vocal powers that rendered him at the piano, or at any other instrument, a sweet and engaging and manly singer, would have been found soothing by any ear that had not Lucy Acton's to hear with. "Your dress will last you till our arrival, and then you shall have plenty; whatever your choice selects you may already call your own."